arden w. einsley (she/they) is a tenacious chronicler of the quiet wonders to be found in both the inner and outer wilds, recording her field-noted-findings on ecology and the human-animal in stirring poems, essays, and photographs.  She is a dweller of the hedge, a crepuscular creature venerating the old magic of thresholds—the shorelines, the dusk-drenched hours, the haunting stories. Whether it be the meeting of land and sea, day and night, or two spellbound souls, she finds possibility and power in liminal confluence.  Arden’s work reflects this by ebbing somewhere outside of time while ultimately resolving in the now—steeped in the land, in the body, in the moment.  Her previous publications, which include personal essays in Creative Countryside and Heiter Magazine and a short story titled ‘Waterbound’ in the forthcoming anthology All Women Are Werewolves, showcase her woven approach to storytelling. Intricately braiding ancestral myth with a present call to conservation, Arden captures the shapeshifting nature of existence while exploring the pervasive endurance of captivity and exploitation in contemporary culture, echoing the knotted howl of her very soul—a bone-deep cry for remembering, re-wilding, and reclaiming a liberated inhabitance of these selves, bodies, and lives while ferociously embracing this earth that roots us all.